我每天午夜的就餐者是漫长一天的结束，也是新一天的开始
故事以音乐产业为背景，讲述一位自助大师兼现代邪教领袖，与一位崭露头角的流行偶像建立了复杂的关系。
现年37岁的石田彻子（黑木瞳 饰）是一名大器晚成的新人律师，当下她在荻原道哉（古谷一行 饰）经营的律师事务所内供职，生活平稳有序。直到某天，一通电话将彻子拉入了剪不断理还乱的麻烦之中。电话另一边的女人名叫小谷夏子（铃木保奈美 饰），是彻子的亲戚。她希望彻子帮她解决和原未 婚夫的纠纷，谁知在调查过程中竟发现了夏子不为人知的一面。自此之后，关于夏子的委托接二连三袭来，这个有着几分姿色的女人似乎与许多男人纠缠不清，谁也不知道她的内心究竟作何想…… 本片根据桂望实的小说改编。
《佳节》是由五洲传播中心、企鹅影视联合出品，国家地理联合制作的大型中国传统节日文化纪录片，腾讯视频全网独播、国家地理海外同步播出。 《佳节》聚焦中国最具代表性的传统节日，通过讲述中国传统节日的故事，从节日里精美的手工艺和传统的食物到每个家庭温暖的团圆和盛大的庆典，展现每一个节日庆典是如何从农耕社会发展而来，而这些古老的传统又是如何在现代中国快速的发展中伴随人们的生活与时俱进；同时，展现中国人的家庭观念、传统继承与时代创新的结合。在表现中国国内节庆传统的同时，节目也将探索海外华人如何在异国文化和社会中，通过对中国传统节日的庆祝展现“我的中国心”中的文化属性和认同。
冯梦龙，苏州人，明代著名文学家、思想家、戏曲家，他的作品有近3000多万字，尤以《喻世明言》、《警世通言》、《醒世恒言》等著述创造了中国通俗文学的新高度。除了艺术方面的造诣，冯梦龙也以其在福建寿宁为官一任造福一方的事迹，为后世称颂。 电影《冯梦龙传奇》便是首次将冯梦龙生平事迹搬上大银幕，讲述了冯梦龙从苏州至寿宁、由为文而从政的传奇经历，以其在寿宁的为官经历为主要表现内容，围绕抗倭寇、灭虎患、禁溺女婴、倡导文教等事迹，表现其爱民、务实、清廉的形象。值此中国共产党成立九十六周年之际，影片以冯梦龙丰硕的文化创造、高洁的人生操守、勤廉的为政理念、坚贞的爱国情操及务实爱民的政治作为向党的生日献礼。
电视剧《乌云遇皎月》改编自丁墨同名悬疑爱情小说。确定由腾讯视频出品，讲述学霸修理工与悬疑推理女作家的爱情故事。剧情简介:邬遇与谭皎在一次轮船旅行中相遇，二人一见钟情。旅行过后二人都有不同程度的记忆里缺失，邬遇失去了旅行结束后几天的记忆，谭皎失去了近一年半的记忆。邬遇是位全面发展的学霸，前程似锦，可旅行后他的人生却发生了天翻地覆的变化，他仅有的亲人妈妈与妹妹被杀。他为了查出真凶放弃前途成为了汽车修理工。谭皎来修车时与他重逢，之后二人每隔半个月就穿越一次。
暂无简介
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
一个怀揣梦想考入舞蹈学校的普通女孩沙明，在为了争取到学校的全国舞蹈大赛资格的情况下，抱着试一试的心情开始寻找学校神秘传说中的红舞鞋，在学校阴森神秘的废弃舞蹈教室里沙明遇到了神秘女孩胡梅并真的得到了红舞鞋，沙明获得了梦寐以求的舞蹈大赛的资格，但事情的发展却越来越离奇...... 母亲的突然出现、同学的离奇失踪、半夜里舞蹈房的声响......沙明是否最终能够在比赛中取得胜利？胡梅到底是谁？当真相揭开时究竟会是欢笑还是眼泪？梦想和成功对于我们到底意味着什么......
前特工人员弗兰克·摩西斯（布鲁斯·威利斯 Bruce Willis 饰）早年和同伴们金戈铁马，经历大风大浪，如今早已各自闲赋家中，过着优哉游哉的安逸生活。然而这份退休后的平静突然被打破，在圣诞前夜，一群全副武装的不速之客闯入弗兰克的家中，对其痛下杀手。原来，作为资深探员，弗兰克和他的同伴知道太多关于政府和军方的秘密，他们理所当然成为被抹杀的对象。不甘将命运交诸他人之手，弗兰克找到了乔·麦瑟森（摩根·弗里曼 Morgan Freeman 饰）、马文·博格斯（约翰•马尔科维奇 John Malkovich 饰）和维多利娅（海伦·米伦 Helen Mirren 饰）等当年的好搭档，决心展开一场绝地大反击……